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Martha Wash was sitting in a Los Angeles hotel room, furious and confused. It was late 1990 and the singer, relaxing before a show that night, had decided to unwind with some channel surfing. She stumbled upon a new music video by Italian house group Black Box, whose synth lines, horn stabs and pulsating, club-tailored drum patterns had already made them dance music stars. When the song’s vocals kicked in, she was shocked to see French model Katrin Quinol, the ex-girlfriend of founding member Daniele Davoli, bending over and crouching in a unitard, lip-syncing Wash’s vocals to the eventual hit“I said to myself, ‘I don’t believe this shit is happening again,” says the now 60-year-old Wash. “I called my manager and said, ‘I just heard myself on TV in a video.' ”“Again” is the operative word, as just a few months prior, Wash heard her ostensible demo vocals being lip-synced by singer Zelma Davis in the video for C+C Music Factory’s monstrous club hit A frustrating cultural conundrum had taken effect: Martha Wash’s voice was famous, but she wasn’t.
In 1991 the #8 song in the charts was Gonna Make You Sweat (Everybody Dance Now) by C&C Music Factory. Watch the music video and discover trivia about this classic Pop song now. In 1991 the #8 song in the charts was Gonna Make You Sweat (Everybody Dance Now) by C&C Music Factory. Watch the music video and discover trivia about this classic Pop. C+C Music Factory was a dance music group (led by Robert Clivilles and David Cole) that brought a hybrid form of house music to America's heartland, scoring several massive pop hits there and all over the world during the early 1990's. Their 1990 debut album, Gonna Make You Sweat included four hugely popular singles, the most famous of them being 'Gonna Make You Sweat (Everybody Dance Now).'
RelatedMARTHA WASH ‘MERGED A GOSPEL VOICE INTO POP AND DANCE MUSIC SEAMLESSLY,’ SAYS RUPAULWash is very likely the most famous unknown singer of the Nineties; a powerful, gospel-weaned belter who first earned fame as a backup singer for disco king Sylvester before forming the disco-pop duo the Weather Girls and recording the camp classic “It’s Raining Men.” In the early Nineties, however, Wash’s booming, powerhouse vocals could be heard on the world’s most ubiquitous dance songs, from Seduction’s to Black Box’s and to C+C Music Factory’s aforementioned Number One hit. At one point in 1991, Wash battled herself on the Billboard Hot Dance Club Songs, as “Gonna Make You Sweat” and Black Box’s both bounced around the Top 5 for weeks on end. “She merged a gospel voice into pop and dance music seamlessly,” says RuPaul, who collaborated with Wash on 1998’s “Her voice speaks to both the church and a pop ear and was built to cut through the bass of a dance club.
The timbre of her voice is so distinctive and beautiful. A lot of gospel-based singers have come and gone in dance music, but she is the one.”(Below: Martha Wash Sings Some of Her Most Famous Hooks)<div>Please enable Javascript to watch thisvideo</div>No less importantly, Wash became an accidental linchpin for artists’ rights. After the singer brought various lawsuits against producers and record labels for proper credit and compensation, federal legislation was created making vocal credit mandatory for all albums and music videos.But 25 years before, Wash was just a middle school kid who sang well enough to join the choir at a San Francisco high school. Her music teacher had raised enough money for the group to travel to Europe and record albums. By the time she graduated high school, Wash’s choir had released four albums and the fledgling singer had settled on her career path.A daughter of devout Christians, Wash had been singing since she was three years old, absorbing and imitating gospel greats Mahalia Jackson and Clara Ward in the house. “My mother and I would be cleaning the house and listening to these gospel artists,” says Wash.
“At the same time, I’d sneak in 45s of the Supremes, the Temptations and Rare Earth because I wasn’t allowed to listen to secular music.”Wash began singing in public through her church. The activity offered one of the few refuges from constant bullying over her weight. After years of singing gospel, Wash started taking private lessons from an opera teacher, and began developing a vocal style that drew on those studies as well as the pop, rock and funk that she loved. In 1974, when the singer went to see a concert by funk and soul musician Billy Preston, she was captivated by the talent and flamboyance of his opening act. “Sylvester had this high falsetto voice and I’m watching him and saying, ‘Oh my God, who is this guy?' ” Wash said of the celebrated disco singer. “I didn’t sit down.” Two years later, Wash, then a jobbing vocalist, auditioned to be one of Sylvester’s backup singers.“The entire audition lasted five minutes,” Wash recalls.
“There were two skinny white girls that auditioned for him a few minutes before I walked in. I sang a gospel song for him and he tells the other two girls to leave and says, ‘Okay, I’d like to hire you. Do you know someone that is larger than you that can sing?'
” Wash contacted Izora Armstead, her co-singer in the gospel group NOW (News of the World), and Sylvester had found his backup singers.Wash quit her day job doing clerical work at the University of California, San Francisco hospital to join Sylvester full-time, appearing on four of the singer’s albums, including the disco hits “(You Make Me Feel) Mighty Real” and Even at the height of disco — when social outsiders were finding their way in to the mainstream — an openly gay, cross-dressing frontman and, as Wash puts it, “two large women” was an anomaly. Still, Sylvester became one of the genre’s most popular singers and personalities.While Wash and Armstead could make light about their Rubenesque figures, naming their post-Sylvester group Two Tons o’ Fun, the emergence of a large, black female singer in disco was rare. “I never really thought about it at the time,” admits Wash. “But years later, having conversations with interviewers, it made me think, There really weren’t any women our size on the scene. I was just starting out in the business and was just happy to get a gig. You couldn’t miss us. We were large women, okay?
Some people called us a novelty act at the time. “David would call me up and I would go and do demos for him,” Wash says.
“That’s how Seduction came about.” Seduction was originally just another studio project put together by C+C until Wash’s vocals for their second song “(You’re My One and Only) True Love” made it an unexpected hit. The production duo quickly put together a trio of three beautiful women to be the “face” of Seduction, with Wash only getting “backing vocalist” credit on her own song. It would be a harbinger of things of come.In 1989, Wash received a call to record with a trio of Italian house music impresarios named Groove Groove Melody, who produced for outside singers. Unbeknownst to Wash, the trio had already used vocals from Loleatta Holloway’s 1980 disco song — the same song that Marky Mark and the Funky Bunch would use legally and liberally for two years later — for Now operating under the name Black Box, GGM brought in Quinol, a thin, French model, to lip sync the song in clubs before Holloway found out and sued.
Although a settlement was eventually reached, the trio subsequently hired British singer Heather Small to replicate Holloway’s sampled vocal slices and, assuming that no one would know — or care — enough to notice.According to Wash, she was paid a flat fee to record demos to be presented to other singers. Instead, the producers included her vocals on nearly every song on Black Box’s debut album Dreamland, including future hits “Everybody Everybody,” “I Don’t Know Anybody Else,” “Fantasy” and “Strike It Up.” Wash was never credited in the album’s liner notes. While none of the producers in Black Box publicly said why Quinol was used as the face of Black Box in videos over Wash, it wasn’t hard to figure out.
When Dreamland was released in May 1990, the cover featured a crouching Quinol, clad in a cropped jacket and mini skirt, showing off her toned legs and staring longingly. Davis, for her part, said it took her decades to get over her role in the C+C dispute.
“For 20 years, I blamed myself. I experienced severe depression. No record label would touch me. I was branded a model and fraud. My career was over. I was blacklisted.
Chewed up and spit out. I felt horrible about myself for the part I played. As a child, I was a fan of Martha Wash. I apologized to her several years after the scandal, placed blame on myself and claimed responsibility for my role. Martha’s vocals were used as lead and I believe she had the right to sue for proper compensation.”Surprisingly, even after the lawsuits, Wash teamed up again with C+C Music Factory for their 1994 follow-up Anything Goes!, even appearing in the video for the album’s biggest hit “Do You Wanna Get Funky.” (Wash says she made peace with Cole before his death in 1995.) “You can’t live in the past and mistakes were possibly made on both sides,” says Wash. “I even went on the road with them this time laughs. Some people hold grudges for decades and I don’t understand that.
You just got to keep it moving.”Wash kept moving, releasing her eponymous debut album in 1992 (a byproduct of her settlement with RCA) and, appropriately enough, recording a cover in 1996 of ‘s for the First Wives Club soundtrack. Numerous one-off tracks would follow, with the singer later establishing her own label Purple Rose Records in 2005.In 2013, the same year Wash would appear in the documentary on backup singers 20 Feet From Stardom, she released, her first solo album in 15 years. It’s a positive, inspirational album — more pop and rock than dance — whose titles “Proud,” “It’s My Time” and “Something Good” reflect Wash’s current mind state.“I’m a woman of a particular age and I’ve been a lot of places, but it’s my time right now with this new music,” says Wash. “I wanted to have a theme of empowerment and feeling good music that helps you get from one day to the next.” A remix for Something Good track reached Number Two on the Billboard Dance Club Chart. “I was ahead of, and,” she says, laughing. “I was totally mystified.” Elsewhere, Wash takes on ‘s 1973 classic “Dream On,” with the lines “Live and learn from fools and from sages” and “Everybody’s got their dues in life to pay” taking on added resonance for the singer.
Wash performing at Sommarkrysset, 2008.Background informationBorn( 1953-12-28) December 28, 1953 (age 66), U.S.Genres Occupation(s)Singer-songwriter, record producer, actressInstrumentsVocals, pianoYears active1975–presentLabelsPurple Rose,Associated acts,WebsiteMartha Elaine Wash (born December 28, 1953) is an American,. Known for her distinctive and powerful voice, Wash first achieved fame as half of the, who sang backing for American disco singer. After gaining their own record deal, they released three consecutive commercially successful songs which all peaked at number 2 in the dance charts. The duo was renamed in 1982 after they released the top-selling single ', which brought them to mainstream pop attention.
The Weather Girls released five albums and were heavily featured on Sylvester's albums.After disbanding in 1988, Wash transitioned to as a featured artist on several successful songs. Her success on 's has earned her the honorific title, with a total of twelve number-one songs on the chart to date.Wash is also noted for sparking legislation in the early 1990s that made vocal credits mandatory on CDs and music videos after she had been denied credit and royalties for many of the songs she recorded, including the song ' after she had been labeled 'unmarketable' due to her weight. In December 2016, ranked her as the 58th most successful dance artist of all-time. Contents.Early life At a young age, Wash enrolled in McKinley Elementary. She also attended and graduated from, where she sang in the school choir. During her time in high school, the school choir traveled and performed throughout Europe for two weeks. Wash also appeared on four albums in the school choir.
Shortly after graduating high school, Wash joined a gospel group NOW (News of the World), which also consisted of. Wash also worked as a secretary for UC Hospital. Career 1976-1988: Two Tons O' Fun and The Weather Girls.
Main article:In February 1976, Wash auditioned as a backup singer before American singer-songwriter and his manager Brent Thomson. Impressed with her vocal performance, Sylvester inquired if she had another large black friend who could sing, after which she introduced him to Izora Rhodes. Although he referred to them simply as 'the girls', Wash and Rhodes formed a musical duo called (sometimes referred to as 'The Two Tons'). Two Tons O' Fun debuted as Sylvester's backing vocalists on his self-titled third album, released in 1977. The duo sang backup vocals on the album's singles 'Down, Down, Down' and 'Over and Over', which charted at number eighteen on the Dance chart. In an interview with, Wash stated that working alongside helped her hone her own vocal stylings.
In 1978, Sylvester released his fourth album Step II, which also featured The Two Tons' background vocals throughout the album. ', the album's lead single which featured The Tons, peaked at number one on Dance chart and became their first number-one single on that chart.
In 1979, Two Tons O' Fun sang background on Sylvester's live album Living Proof. Later that year, the duo secured their own record deal with.On January 24, 1980, the duo released their debut self-titled album Two Tons of Fun. The album spawned two top-five dance singles: 'Earth Can Be Just Like Heaven' and 'I Got the Feeling'. Their second album Backatcha was released later that year. The album spawned a single 'I Depend On You' that peaked at number seventy-two on the Dance chart.In September 1982, the duo released their single '. The song became their biggest hit, peaking at number one on the Dance chart and number forty-six on Billboard's Hot 100 chart.
Following the success of the song, Two Tons o Fun changed their group name to The Weather Girls. On January 22, 1983, they released their third album. The album's titled-track 'Success' was released as the second single and peaked at number eighty-nine on the. In 1985, The Weather Girls released their fourth album.
In 1986, she released a song 'Breakin' The Ice' on the soundtrack for the Paramount feature film. In 1988, The Weather Girls released their self-titled fourth album The Weather Girls, Wash's final album with the duo. Shortly after the album, The Weather Girls disbanded and Wash took up a solo career and also began working as a session vocalist. She contributed background vocals on 's single ' for her album (1988).
1989-1991: Seduction, Black Box, and C+C Music Factory In 1989, Wash recorded a song ' as a demo, produced by who would later form the. Cole later gave the song to then-upcoming female group. The song appeared on Seduction's debut album, released in September 1989, retaining the use of Wash's lead vocals and added Seduction's background vocals to the song. In addition, she was only credited for her background vocals and Cole remixed and altered Wash's lead vocals of the song to make her voice less recognizable on the song.
'(You're My One and Only) True Love' was released as Seduction's second single in July 1989. The single became an unexpected success when it peaked at number twenty-three on the chart and number three on the chart. Wash would eventually file a lawsuit against the producers and for unauthorized use of her voice. The case reached an in December 1990.In the summer of 1989, Italian group recruited Wash initially as a to their upcoming songs.
Wash demoed a total of six songs for the group. Despite being recruited strictly for demoing the songs, Black Box retained the use of Wash vocals on the songs and released them on their debut album. In December 1989, Black Box released their second single '. The song, which featured Wash's vocals, became an international hit and peaked in the top-ten positions of many countries.
The group followed up with release of another single ', also featuring Wash, which became another international success. Despite Wash's contributions to the songs, Black Box never credited Wash for her vocals and instead used French fashion model Katrin Quinol to lip-sync Wash's vocals during music videos, televised performances, and concert performances.
Wash initially became aware of the scandal and sued and Black Box for in September 1990. RCA settled the case out-of-court in December 1990, agreeing to pay Wash a 'substantial' financial fee. The company also signed her to an eight-album recording contract and financed her national tour. In addition, many of Black Box's releases that contained Wash's vocals were re-issued with her. Black Box continued releasing singles in 1991 which saw the release of the top-ten international hit ', ' and 'Open Your Eyes'.In November 1990, the released their debut single ', which featured Wash's uncredited vocals on the chorus. The song became an international hit, peaking at number one on Billboard's Hot 100, and selling over a million copies in the United States. After discovering that the group was using model-turned-singer in the music video, Wash attempted to negotiate with the producers of the C+C Music Factory for sleeve credits and royalties which ultimately proved unsuccessful.
Additionally, the song used an edited compilation of vocal parts that Wash recorded in June 1990 for an unrelated demonstration tape. On December 11, 1991, Wash filed a lawsuit in the against C+C Music Factory's Robert Clivilles and David Cole, charging the producers and their record company, with and commercial appropriation.
The case was eventually settled in 1994 and as a result of the settlement, Sony made an unprecedented request to to add a disclaimer that credited Wash for vocals and Zelma Davis (who lip-synched Wash's vocals in the official music video) for 'visualization' to the 'Gonna Make You Sweat' music video. 1992-1995: Martha Wash Her self-titled first solo album was released on February 23, 1993. The album peaked at number 169 on the, number 42 on the, and number 8 on the. The album's lead single, ', released on October 30, 1992, became Wash's fifth number-one dance single as a solo artist in the US. The second single ' also reached number one on the dance chart. The album's third single 'Runaround' reached the top-ten on the Dance chart, but the follow-up single 'So Whatcha Gonna Do' failed to the chart.
'Now That You're Gone' was also released as a promotional single.In 1994, the C+C Music Factory, who had just reached an agreement with Wash and her lawsuit, asked Wash to join the group and record on their album. On August 9, 1994, the group released their second album. The album's lead single 'Do You Wanna Get Funky' featured a collaboration of Wash, C+C Music Factory,. 'Do You Wanna Get Funky' peaked at number forty on the and number one on the Dance chart. Wash also featured another song 'Takin' Over' from the album.
In the same year, Wash also recorded and released a cover of 's ' for the soundtrack of American. In 1995, Wash embarked on an international tour with the C+C Music Factory.1996-1999: The Collection In 1997, American DJ and record producer released his sixth album Ready for a New Day. The album's lead single ', featuring a collaboration of Terry, Wash, and, was released on June 24, 1996. The song peaked on at number one on the Dance charts and reached the top-ten on the. On June 9, 1997, they released a follow-up single '.
The song topped the Dance charts and peaked at number five on the UK Singles chart. Additionally, the song was also certified Silver-status in the United Kingdom.In January 1998, Wash released a The Collection, on Logic Records. The lead single ', which featured, peaked at number twenty-two on the Dance chart.
The album's second single 'Catch the Light' became Wash's tenth number-one song on the Dance chart. The album's final single 'Come' peaked at number four on the Dance chart. Wash was also featured on Todd Terry's single 'Ready for a New Day', which peaked at number twenty on the Dance chart. 2000-2010: Single releases In 2000, Wash released two singles 'Listen to the People' and re-recorded version of 'It's Raining Men'. In 2004, she released a gospel single 'You Lift Me Up'.
Wash performed at the opening ceremony of the in Montreal in July 2006. She also performed at numerous Human Rights Campaign events in the U.S.
In 2006, Wash appeared as a guest on GSN's, and performed 'It's Raining Men' for the all-gay panel.DJ 's compilation CD The Event featured a single featuring Martha entitled '. It reached No. 1 on 's chart for the week ending December 22, 2007. In 2007, gay-themed podcast, dedicated an episode to Wash and she obliged them with an extended telephone interview.In March 2008, she performed at the annual Big Gay Day in Brisbane, Australia.
She also performed at in June 2008. In August 2009, she performed at the opening ceremony of the Gay Softball World Series.2011-2017: Something Good On October 1, 2012, she appeared on the, celebrating the 30th anniversary of the release of 'It's Raining Men'. Wash's second solo album Something Good was released on January 10, 2013, worldwide.
The album's lead single 'I've Got You', released on April 1, 2011, received positive feedback from critics. In March 2013, she was a special guest for the during their spring production 'Big Gay Sing 6: Club Night Out'. The second single 'It's My Time' was released on September 22, 2013. In the same year, Wash also made an appearance in the '. In February 2014, Wash featured on the song 'Can I Get An Amen?' For 's album. In March 2014, Wash released a remix of the third single 'I'm Not Coming Down', which peaked at number two on the Dance chart.In February 2015, Wash and Tony Moran released ',' which also reached number one on the Dance Club Songs chart.
In 2015, Wash formed a group with disco vocalists and called. The group released their debut single 'Show Some Love' in March 2015, which peaked at number six on the Dance charts. In December 2015, Wash released a single 'N2U', produced by and Eva Shaw on Spinnin' Records. In November 2017, Wash collaborated with Turkish singer, releasing a single with multi-versions of his entry. 2018-present: Love & Conflict In March 2018, Wash began her YouTube web series called '10 Minutes with Martha Wash'. In April 2018, Wash released a single 'Come into the Light'.
The song was featured on the musical film 'Wholly Broken' for which Wash plays the role of a woman named 'Rose'. In September 2018, Wash joined the cast of WaistWatchers: The Musical.In March 2019, First Ladies of Disco (now composed of Wash, Clifford, and ) released their second single 'Don't Stop Me Now'.
On August 10, 2019, Wash released a single 'Like Fire'. The song served as the lead single from her third album Love & Conflict. Love & Conflict was released on January 6, 2020. Legacy As of 2014, Wash's voice has collectively accumulated a total of fifteen number-one singles, placing her among.
Her success as one of the leading singers in the genre of would garner her The Queen of Clubland. She has also been referred to as The Voice. In, music critic James Newman described Martha Wash as 'The Most Famous Unknown Singer of the '90s'.Martha Wash's work has influenced numerous artists although most notably and singer.
RuPaul stated that 'She merged a gospel voice into pop and dance music seamlessly. Her voice speaks to both the church and a pop ear and was built to cut through the bass of a dance club. The timbre of her voice is so distinctive and beautiful. A lot of gospel-based singers have come and gone in dance music, but she is the one.' RuPaul has also acknowledged that Wash's song 'Carry On' comforted him during his mother's passing. Her single with the, 'Gonna Make You Sweat (Everybody Dance Now)' was included in the top-ten VH1's '100 Greatest Dance Songs', while ' ranked at number thirty-five.On September 14, 2014, Mighty Real: A Fabulous Sylvester Musical, a musical about, debuted in.
Wash's was featured in the production and she was portrayed by actress Jacqueline B. Arnold.The City of declared Martha Wash Day in the city in 2016. The City of, California declared Martha Wash Day in their city. In the City of, Florida, Wash was presented with the key to the city.Business and ventures Purple Rose RecordsFounded2004; 16 years ago ( 2004)FounderMartha WashGenre,Country of originLocation, U.S.Official websitePurple Rose Records In 2004, Wash launched her own called Purple Rose Records. James Washington, also Wash's manager, is the label's head of A&R.
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Intended to be a platform for emerging talent and for artists who may be overlooked by major record labels, Purple Rose Records was established in New York City. The first release on the label was the single 'You Lift Me Up' in September 2004, a song by Wash, which peaked in the top five of 's chart. Something Good, Wash's second album, was the label's first album released in January 2013. The label has continued to distribute all of Wash's official releases to date.Purple Rose also began managing other musical acts., a female group originally composed of Martha Wash, and, released their debut single 'Show Some Love' on the label in 2015. The song peaked in the top-ten on Billboard's Dance chart. The group has since toured throughout the United States of America on the First Ladies of Disco Tour.
In July 2016, released a single 'Ice' on the label. The song was later remixed and released as a maxi-single of six tracks.On March 25, 2019, First Ladies of Disco released their second single 'Don't Stop Me Now' on Purple Rose Records.
Activism In 1990, Wash won lawsuits against music groups and for failing to provide vocal credits for songs she recorded with them as well as committing fraud by using models to lip-sync her vocals in music videos, stage shows, and televised performances. The lawsuit was filed under the. In the same year, bills were introduced in the New Jersey and New York legislatures to require concert promoters to disclose whether pre-recorded material would be used on stage. Wash's activism and legal wranglings on behalf of recording artists also resulted in eventual federal legislation making vocal credit mandatory for all albums and music videos.Wash, who is viewed as a, has been involved in and she remains an outspoken advocate for the gay community. In open letter addressed to the LGBT community, Wash acknowledged the support she has received back from community. Wash also stated 'It means the world to me when fans tell me they've followed me through the Sylvester years, or they to my music,.
These are the people I sing for. So to all you beautiful people out there I say: stand strong, don't give in and carry on.' Wash has also been an activist for the fight against HIV/AIDS for more than thirty years after watching close-friend and music mentor Sylvester succumb to the disease. On in December 2012, she was awarded a Lifetime Achievement Award in from the AIDS Emergency Fund for her advocacy and fundraising to provide financial assistance to victims of the disease. Philanthropy Wash is a spokesperson for Quality Services for the Autism Community (QSAC Inc.). The non-profit organization providing comprehensive services to individuals with and their families. In 2011, Wash headlined three separate charity concerts for the nonprofit AIDS organization: Fortitude, a President's Day weekend celebration in Fort Lauderdale benefiting, and two local San Antonio AIDS charities.
Wash released a song 'Light It Up', included on the 13th Carols for a Cure 2011 charity album to help raise funds benefiting Broadway Cares/Equity Fights AIDS. In 2012, Wash became a supporter of the You Can Play Project. The non-profit organization is dedicated to ensuring equality, respect, and safety for all athletes without regard to sexual orientation.Personal life Wash has never married and has no children.
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